Archives for posts with tag: Prince

I’ve promised these and so fresh for 2013 here they are!  Extensive photos of the inner life and workings of a Simmons SDS-V with the MFB SEQ-01 sequencer built in.

But first, a little background.

Simmons electronic drums were developed by Richard James Burgess and Dave Simmons.  Burgess’ idea was to make a fully electronic drumset that could be played  by a real drummer or a sequencer.  He pioneered this idea while working on the first Landscape album From the Tea-Rooms of Mars… To the Hell-Holes of Uranus ( a great soundtrack styled listen BTW ).  In 1981 he produced the Spandau Ballet hit, “Chant No. 1 (I Don’t Need This Pressure On)”.  It was the first breakthrough hit with a real drummer playing the now famous hexagonal pads and the first production Simmons SDS-V brain.

They offered a Kick drum, Snare drum, Toms, and even High Hats and Cymbal modules although the Cymbal and HH ones are super rare.  Seven of any combination could be housed in one brain and triggered via octagonal pad, sequencer, and even acoustic triggers attached to drums.  There was even an open/closed HH pedal input to trigger 2 different variations from the HH module.  You could program your own sounds via the front panel of each module with full controls for 3 presets on the front and one ‘factory’ set inside that are all adjustable.  The Brain did double duty of allowing trigger inputs while offering basic mixing of the internal sounds via a stereo and mono output ( with individual out as well ).  These brains quickly became cult like in their status and were used in everything from jazz bands by Bill Bruford to rock groups like Def Leppard ( by the one armed Rick Allen ) and of course funk and dance groups like Prince.

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And i never get bored of this song:

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I had picked up an SDS-V brain with a Kick, Snare, and 3 Tom modules.  But there was those two empty slots at the end… hmmmm… Then it occurred to me, What if i turn this Brain into a full DRUM MACHINE!!! Lo an behold, a few Googles later yielded my plan of attack.  I could fit a modern modular sequencer into this old brain and make an instrument of the future past! There’s some technical hurdles to surmount in adding a sequencer to the SDS-V brain.

1, The MFB SEQ-01 is designed to work in a modular synth case.  the SDS-V case is of equivalent hight but the mounting holes are not lined up. So, more accurately, the MFB fits vertically and horizontally but the mounting holes don’t line up.  To avoid damaging the original mounting setup i opted to temporarily put  washers over the adjacent screws to hold the sequencer in.

2, The MFB SEQ-01 needs to be routed to the trigger or sequencer inputs on the SDS-V cards. I had a few options here.  One was to connect the sequencer outs to the Simmons’ native sequencer inputs.  The other was to hook it up to the trigger or pad inputs.  I opted to use the trigger inputs ( counter intuitive, i know! ) because this gave me a gain adjustment on the face plate of the brain for each trigger from the sequencer to the drum module.  The SDS-V drum modules are very dynamic and it’s useful to be able to hit them with sequencer trigger more or less to taste.

3, Lastly, The MFB SEQ-01 needs to be powered and it runs at a different voltage than the SDS-V. I had MFB modify the Seq-01 to run on 15 volts in the SDS.  Then i connected the power from the +/-15 volt rail in the Brain to the power input on the MFB edge connector.  Pretty straight forward!

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Photos by J-poo.

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Future plans for the SDS-V:

1, So, there’s one quirk in the Simmons SDS-V design i’d like to point out.  The audio outs are wired pin 3 hot.  This is the XLR wiring convention used by many old British companies and it’s the opposite of the US convention of pin 2 hot.  Reversing this would be great to more easily interface with other equipment.

2, I’d eventually like to disconnect the back panel sequencer jacks from the SDS-V modules and instead wire them to the MFB SEQ-01 outputs.  This way the sequencer outs  could be used to drive more than just the Simmons modules.  there’s actually 12 sequencer slots and the Simmons SDSV can only hold 5 cards with the sequencer installed. Maybe someday!

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References:

Simmons SDSV with MFB SEQ-01

Simmons SDSV – Wikipedia

Simmons Synth

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XBS Loves this record. Its one of those one-dollar-freebee-practically-brand-new-vinyl delights that only the old record store can offer.

The Deele : Material Thangz .
Album : Material Thangz .
1985
Produced By Antonio ” L.A.” Reid .
Associate Producer : Kenneth ” Babyface ” Edmonds

On another note this was originally issued on SOLAR records, that’s Sound of Los Angeles Records. SOLAR was founded by Soul Train’s Dick Griffey and Don Cornelius and was responsible for acts like: DynastyLakesideMidnight StarKlymaxxCallowayThe Deele, and Jimmy Jam and Terry Lewis.

XBS is so infatuated with the 80’s urban territory sometimes that we even get worried!  It’s finding great electronic sounds in a catchy, fun, and well put together package that we love.  The records from back then come off of the turntable like an explosion.  Love the Simmons, Love the Bar Kays style breaks and Love the outfits.  So Crayola, so Future Shock, and SO Androgynous!

Also sprinkled with those great funky Prince-isms evident in all electro funk of the 1980-1985 time period.

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Well, another secret obsession of late has been Andre Cymone.  Original member of the Prince clan and electro solo artist.

I love how all the Prince protege people have that certain “je ne sais quoi” that sounds like Prince just lived at the studio and made everyones record better with magical pancake dust or some shizzz…

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Submitted for reference XBS also includes a little background info:

An Andre Cymone interview:

Pancake Dust:

DIRTY DIRTY BAD NAUGHTY PANCAKE DUST!!!

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