Archives for posts with tag: Funk

Jamz & Zizza had an extra hour or two so we made a music!

The true magic of the Roland TR-808 Is in it’s lively sound.  It really sounds stunning in a way no samples ever seem to capture.  It isn’t just the analog circuits performing in real time.  It’s the fact that your patterns have not only notes, tempo, and pattern but also accent!

The accent is programmed just like any other instrument on the grid and has a master amount adjustment by the kick drum controls.  Which ever steps you choose to accent really pop out and add a huge amount of dynamic energy to the pattern.  Its very impressive.  Super dynamic and sounds great!

:::

:::

:::

Cool pattern sheets for famous songs: Rob Ricketts TR-808 Programming Posters

Manual:  Roland TR-808 Manual

::: IF :::

I’ve promised these and so fresh for 2013 here they are!  Extensive photos of the inner life and workings of a Simmons SDS-V with the MFB SEQ-01 sequencer built in.

But first, a little background.

Simmons electronic drums were developed by Richard James Burgess and Dave Simmons.  Burgess’ idea was to make a fully electronic drumset that could be played  by a real drummer or a sequencer.  He pioneered this idea while working on the first Landscape album From the Tea-Rooms of Mars… To the Hell-Holes of Uranus ( a great soundtrack styled listen BTW ).  In 1981 he produced the Spandau Ballet hit, “Chant No. 1 (I Don’t Need This Pressure On)”.  It was the first breakthrough hit with a real drummer playing the now famous hexagonal pads and the first production Simmons SDS-V brain.

They offered a Kick drum, Snare drum, Toms, and even High Hats and Cymbal modules although the Cymbal and HH ones are super rare.  Seven of any combination could be housed in one brain and triggered via octagonal pad, sequencer, and even acoustic triggers attached to drums.  There was even an open/closed HH pedal input to trigger 2 different variations from the HH module.  You could program your own sounds via the front panel of each module with full controls for 3 presets on the front and one ‘factory’ set inside that are all adjustable.  The Brain did double duty of allowing trigger inputs while offering basic mixing of the internal sounds via a stereo and mono output ( with individual out as well ).  These brains quickly became cult like in their status and were used in everything from jazz bands by Bill Bruford to rock groups like Def Leppard ( by the one armed Rick Allen ) and of course funk and dance groups like Prince.

:::

:::

And i never get bored of this song:

:::

:::

I had picked up an SDS-V brain with a Kick, Snare, and 3 Tom modules.  But there was those two empty slots at the end… hmmmm… Then it occurred to me, What if i turn this Brain into a full DRUM MACHINE!!! Lo an behold, a few Googles later yielded my plan of attack.  I could fit a modern modular sequencer into this old brain and make an instrument of the future past! There’s some technical hurdles to surmount in adding a sequencer to the SDS-V brain.

1, The MFB SEQ-01 is designed to work in a modular synth case.  the SDS-V case is of equivalent hight but the mounting holes are not lined up. So, more accurately, the MFB fits vertically and horizontally but the mounting holes don’t line up.  To avoid damaging the original mounting setup i opted to temporarily put  washers over the adjacent screws to hold the sequencer in.

2, The MFB SEQ-01 needs to be routed to the trigger or sequencer inputs on the SDS-V cards. I had a few options here.  One was to connect the sequencer outs to the Simmons’ native sequencer inputs.  The other was to hook it up to the trigger or pad inputs.  I opted to use the trigger inputs ( counter intuitive, i know! ) because this gave me a gain adjustment on the face plate of the brain for each trigger from the sequencer to the drum module.  The SDS-V drum modules are very dynamic and it’s useful to be able to hit them with sequencer trigger more or less to taste.

3, Lastly, The MFB SEQ-01 needs to be powered and it runs at a different voltage than the SDS-V. I had MFB modify the Seq-01 to run on 15 volts in the SDS.  Then i connected the power from the +/-15 volt rail in the Brain to the power input on the MFB edge connector.  Pretty straight forward!

:::

:::

Photos by J-poo.

:::

Future plans for the SDS-V:

1, So, there’s one quirk in the Simmons SDS-V design i’d like to point out.  The audio outs are wired pin 3 hot.  This is the XLR wiring convention used by many old British companies and it’s the opposite of the US convention of pin 2 hot.  Reversing this would be great to more easily interface with other equipment.

2, I’d eventually like to disconnect the back panel sequencer jacks from the SDS-V modules and instead wire them to the MFB SEQ-01 outputs.  This way the sequencer outs  could be used to drive more than just the Simmons modules.  there’s actually 12 sequencer slots and the Simmons SDSV can only hold 5 cards with the sequencer installed. Maybe someday!

:::

References:

Simmons SDSV with MFB SEQ-01

Simmons SDSV – Wikipedia

Simmons Synth

::: IF :::

The Whispers are a group from LA that had a great run of hits spanning almost 40 years.  They had overlap in soul, funk, disco, and dance and were also a staple of the SOLAR records scene in the 80’s.  Much like Zapp and many others of the era the group was formed by brothers but the Scott brothers were twins!  Luckily they managed to avoid the all too often tragedies and perils that befall bands based on family relationships!

The XBS of the week reminds me of them because it has a little electronic but also some smooth funk to it:

:::

:::

:::

Happy Friday!

::: IF :::

XBS has been busy… jammin… fixin… jammin’ n fixin’… Still totally obsessed with some of the Midnight Starr, Deele, etc etc…

::: Thanks Don :::

So, this is what came out this week when we fired up the synth army.  The original idea was to get some David Frank style bleep bloops a la Beat Street going:

…But it ended up being slower and more groovy which is still fun by me.  It’s more summery and less on the John Carpenter tip we’ve been on too.  Usual suspects include Oberheim DSX Sequencer, Arp 2600, SCI Pro One, Mirage sampler ( OB-DPX-1), Linndrum LM2, Oberheim DX Stretch, Simmons SDSV, Roland JP-8…

:::

:::

One of these days i’m going to just get a talk box and become Roger Troutman and drop some really beautifully vapid loves jams all over the ground. Zapp is great in the summer time.  I love running to some Roger jams.

:::

:::

PS, D.F. has content on his site now:

David Frank | music production

COOL!

::: IF :::